Rapid access: Google Video Higher-quality: .mp4 60 min. Karen Benfield interviewing Kevin Begos, Jr. Laptop used for presentation Laptop and projection screen Laptop screen open to folder with Agrippa file Agrippa title page projected from running the diskette Agrippa label projected from running the diskette Go to bootleg video Based on DVD-format VOB files created from the video tape. 60 min. Rapid access: Google Video Higher-quality: .mp4

Item #D48. Bootleg Video of Live Run of the Diskette Containing William Gibson’s “Agrippa” at the Americas Society, New York City (9 Dec. 1992).

This video, approximately one hour long, was made surreptiously by “Templar,” the pseudonym of one member of a graduate-student team known as “Templar, Rosehammer, and Pseudophred” from New York University’s Interactive Television Program. The team had been recruited to shoot the screen of a laptop computer used by Kevin Begos, Jr. (the publisher of Agrippa) for the public unveiling of Agrippa at the Americas Society, New York City, on December 9, 1992 (during the so-called “Transmission” event). Their sanctioned mission was to project on a large screen the laptop’s image of a complete, live “run” of William Gibson’s poem (running from Agrippa’s diskette). Unbeknownst to the event’s organizers, however, Templar had slotted a blank video cassette into the camera used for the live feed. The resulting recording is presented here from a copy of the original videotape (the original has not been found) recovered in 2007 by “Rosehammer” from a ¾ video tape cartridge (in NTSC format) labeled “AGRIPPA—[Templar's] VIEW.” Highlights of the recording include:

• Interview of Kevin Begos, Jr. by Karen Benfield, producer for the Wall Street Journal Television Report (approx. 20 minutes).
• The “run” of Gibson’s poem scrolling up the screen of Begos’s laptop, accompanied by a synchronized audio recording of comedian Penn Jilette reading the text (approx. 20 minutes).
• Question and answer period with Begos, cut off unexpectedly when someone approached Templar and caused him to stop recording to prevent discovery.

For detailed discussion of this video and related events, see on this site Matthew G. Kirschenbaum’s “No Round Trip: Two New Primary Sources for Agrippa“ (as well as the earlier excerpt from his book, Mechanisms: New Media and the Forensic Imagination (MIT Press, 2008). Of related interest: Re:Agrippa, an experimental video composition made by Rosehammer and Templar in 1993 that samples and remixes selected footage from the 1992 bootleg video, and adds experimental-video-style montage, sound, and titling effects.

This introduction, which claims that the code of the Agrippa diskette was “hacked & cracked,” announced the first version of Gibson’s poem posted online (to the MindVox BBS) on Dec. 10, 1992. The transcript here is from a now defunct Web page version of the MindVox posting available until early 2005 at http://riverbbs.net/pub4/ebook/Agripp.Txt (currently available only in the Google cache here) For the way the poem leaked online and different views about whether it was ever actually hacked, see Matthew G. Kirschenbaum’s discussion and follow-up discussion. See also the bootleg video recorded at the Dec. 9, 1992, “transmission” event at the Americas Society in New York City, as well as the 1993 experimental video Re:Agrippa based on the bootleg footage. (One theory was that transcribing from this footage may be the low-tech way the poem was hacked. Subsequent evidence, including the discovery of the original bootleg video recorded Dec. 9, 1992, at the Americas Society and correspondence with Templar’s partner video maker, “Rosehammer,” confirms this theory.)